A somewhat reluctant critic, I offer standard reviews of classical music performances (with an emphasis on opera, but also including traditional and new music for symphony orchestras) for Bachtrack.
My review of Ovllá, the first full-length opera in a Sámi language, received the honor of being shortlisted for the 2026 Observer / Anthony Burgess Prize for Arts Journalism.
I rarely review ballet or piano recitals. All Bachtrack assignments come through their editorial team; I do not accept pitches on their behalf.